evilhippo: hippo (125 [herp derp])
([personal profile] evilhippo Jan. 19th, 2011 10:41 pm)
Compare! Contrast! Two of my favorite things!

I should be cleaning my apartment but because of whatever vague neuroses actually dictate my day-to-day life, I've instead spent the evening watching The Cape and (the American version of) Being Human. (While you're all rolling your eyes, I would most definitely like to point out that I did stop watching Glee, so at least there's that.)

So, after devoting my evening to campy sci-fi and pseudo sci-fi shows, I am now consumed with the urge to snark about at least one of them figure out why one of them works and one doesn't!

Actually, first of all I'd like to express my recent confusion regarding Being Human. I'd heard of it before from a few people around the internets, and I figured it was already a season or two in. It has also been promoted ceaselessly on billboards/buses/etc. in Chicago, to the point that I was pretty sure I'd internalized its basic premise. So it wasn't all that strange to me when I found myself explaining it and some of the basic plot arcs to people at work over lunch. Then I got home and discovered that people hadn't been giving me weird looks because I'd just revealed some kind of secret penchant for vampire/werewolf/etc. fiction, but because I'd outlined the plot of a show that, for normal Chicagoans, didn't even exist yet.

Ladies and gentlemen, once again I not only fail to separate the internet from real life, but also my imaginary television-hungry British alter-ego from the me that actually exists, here in the US. (British!me's boss probably worships David Brent and all her friends probably compare her to Dawn, but that's okay because she gets Martin Freeman and she doesn't have to worry about the midwestern nasal "a" slowly creeping in to her dialect. She's probably in Dublin worrying about their nasty "r".)

Anyway! Let's get back to alter-egos here. Because the point of this is mostly figuring out why The Cape doesn't work for me at all. I love superhero fiction, I love darkish realistic fiction. But... all right, I'll admit I'm not really someone who has the background to throw around terms like "silver age ethos"... But here's the problem I have: it's a story that adheres to the tropes of vintage Golden/Silver Age super hero comics but is set in a gritty modern setting. It's moralistic, but its villains are so underdeveloped they're not even straw men. (Ark Corporation is... evil corporate America, I guess? I mean, does that even count as villainous anymore?) I'm sure it's still finding its stride, but right now for something that seems to be striving for some kind of alternate-realism, it's lacking any kind of connection, but it's still very shy about diving in the deep end with the real superhero stuff.

Also, just let me state now for the record that the idea of reading a comic book aloud to a kid is just weird, especially filling in narration that isn't there on the page. (Vince Faraday: Improv Podficcer and Harcore Cosplayer.) Okay, actually, the in-universe comic book stuff wouldn't be so bad if you ever got more than a half-nod that the writers are aware that it's... well... bad. There's a bit of potential in the interaction between Vince and his son, but overall I think the writers have no idea what they're doing. It doesn't seem to be self-aware at all. It's like someone said "We need a superhero show to make up for Heroes' cancellation" and they're working off of a list of what makes a superhero show and they're tossing in other things that people like from other shows, rather than taking an idea that they like and playing with it (I'd actually question whether a majority of writers have even read an actual comic book). It doesn't have any soul at all, which is a shame. Because superhero stories (or any fantasy, really) fall apart without heart behind them.

And that's why I'm actually surprised by Being Human. I don't expect anything from American remakes of British shows (and if it weren't for the fact that I've finally accepted that the American public at large just isn't going to put up with the way that British television is endlessly self-referential I'd insist that we give up remaking shows. I mean, the remake of Life on Mars made me want to cry and, as far as self-referential goes, at least the worst of it was soccer and the rest of it was 1970s culture (and that's basically an alternate universe anyway) rather than, say, references to Jeremy Clarkson and/or the Queen so I don't see why it needed adapted... but what I was saying is basically that I give up on insisting that we not adapt shows because I know it's a lost cause. I think that point nearly slipped by me there. Sometimes it works. I mean, The Office worked. And I actually have high reasonably considered hopes for the American-produced version of Torchwood, because if our puritanical habits of self-censorship are truly meant for anything it might be weeding out craptastic sex pollen omni-sexual-for-the-sake-of-omni-sexual "plots").

Right. I think that was almost an entire tangential paragraph in parentheses. Sorry about that. Moving on!

Being Human, whether it's because it's an idea that's already been broken in by others or because it was ripped word-for-word from the original (something I am now investigating*), actually seems to work. It's an equally stupid idea in summary (vampire and werewolf (unintentionally) share an apartment with a ghost vs. man joins charismatic crime circus in order to become a superhero and clear his name), but rather than being a series of tropes chained together and flogged it's a parade of tropes... I dunno, putting on a show for the google maps car? (I think it's getting late here.) It's not outwardly self-aware, but it... shows a deeper understanding of its genre, I think. Though honestly I'm not sure if my appreciation for this show over The Cape is just me and my adoration for metafiction (in this context: ideas that are generally formulated only within their own self-contained universe transposed into a realistic universe and made to deal with it). It's also entirely possible the acting and directing is just better for this show (though there's no weird police state/underground circus dichotomy to combat, either).

And actually, I think the reason I find it kind of weird that I like Being Human and dislike The Cape is because I normally like self-indulgent campy shows over shows that are about social dynamics and roommates and all that nonsense. But if there's one thing I've learned over the last few years, it's pretty much all about dialog and plot for me. If it's witty supernatural-roommate banter vs. Russian villain killing people with playing cards (I laughed! I laughed so hard, it was terrible) and hitting on Summer Glau, I'm going to take the witty banter.

So, in conclusion (and drawing from information barely even properly implied in the prior eight paragraphs):
The Cape: Trying Too Hard to Be Batman
Being Human: Probably Secretly Still British

* So far, admirably, it is not. The British version, at least as far as the pilot goes, is way more melodramatic. Also I have evidence that the writers were actually playing off the British version but exercising their own interpretations and ideas. All good signs.

From: [identity profile] apple-pathways.livejournal.com

Ok, I haven't even finished reading this post! I got halfway in and:

Edited Date: 2011-01-20 05:05 am (UTC)

From: [identity profile] evilhippo.livejournal.com

Well, it's not exactly an "American" version as John Barrowman and Eve Myles are still in it, but it's co-produced by Starz and they're purportedly filming it in the US so... one can hope for a little restraint. I'm actually pretty sure we couldn't make it worse. But I'm also often proven wrong. (-;

From: [identity profile] apple-pathways.livejournal.com

Ohhhh-k. That makes more sense. If they were going to remake Torchwood and air it on, like, USA or something, I think I would have a brain hemorrhage. (Ha ha! Spelled 'hemorrhage' right on the first try! Though it still looks wrong...)

I will confess to never having actually seen more than a few minutes of Torchwood. It just looks...terrible. And the fans are kinda crazy--like, even for fandom. (Though my flist is full of very lovely, very sane Torchwood fans.) The Torchwank is always spilling over into all the Who comms, and I think the resentment that stems from that fact is what also keeps me from checking it out.

From: [identity profile] evilhippo.livejournal.com

I've seen about six episodes, plus the finale (which, in style and substance, was a finale for a completely different show. Except for the part where it was also terrible). I don't know. I have a feeling the show just wasn't/isn't meant for me. I have a friend, though, who made it through the whole run and insists it's not as bad as I say (and I generally trust his judgment), but I think he was just trying to prove something by finishing. I don't know what, but something...

From: [identity profile] apple-pathways.livejournal.com

You know, I'm always impressed by other peoples' dedication to finishing certain shows/movies, considering I don't actively seek out half of the shows I like. (Others: "This show is amazing!" Me: "Yeah, I know, it is!" Others: "Have you seen the last few episodes?" Me: "...no.")

From: [identity profile] evilhippo.livejournal.com

Tsk tsk! (Though this does make me feel a little less bad about things like having shows recced to me and then completely forgetting that they exist.)

From: [identity profile] apple-pathways.livejournal.com

You know, when you spend 4-5 hours a day online, there's just not that much time leftover for TV viewing! ;)

From: [identity profile] zolac-no-miko.livejournal.com

Okay, I've not yet seen any of American Being Human (I've only seen a little of the original as it is), but I have seen the first episode of The Cape. And I agree that it is GODAWFUL. The world it's set in is kind of fun, and there are a lot of very strong references to icons of superherodom and... it's got such an excellent concept, but... it just falls flat. Bad writing, bad acting, weird directing, just... it's just crap. That is all.

...I think maybe the problem is not that it's Trying Too Hard to Be Batman, it's that it's Not Trying Hard Enough. Or it's Trying Really Hard and Failing. Or something.

From: [identity profile] evilhippo.livejournal.com

Maybe they'll bring in some writers that like the genre and it'll start getting interesting? (I've seen all three episodes, in the hope that it'd settle in a little, but it hasn't).

It's probably a combination of Trying Too Hard in some respects (dark, urban superhero for the ages) but not hard enough in others (Vince has no real dark side, other than a bit of obsession, and seems to be about as clueless about superheroing as the writers--which would actually be cool if I thought it was intentional and something that was going to be given more than a cursory bit of exposition in the future.)

Also, of all the shows big networks must have to choose from for prime time... Why this? It feels more like a Sci-Fi original series or something.

From: [identity profile] zolac-no-miko.livejournal.com

Yes! Exactly! It feels like a SyFy original series! WHY IS THIS ON THE AIR? WHY NOT SOMETHING BETTER?!

From: [identity profile] evilhippo.livejournal.com

I think I should write both SyFy and NBC and propose that they trade these two shows.

(Goodness knows why I spent part of this afternoon trying to figure out how I'd introduce a proper villain to the show and make it work. (Psychotic villain who's up on superhero themes + normal well-adjusted people who don't realize what they've gotten themselves into = fun) Then again, part of this afternoon was also spent planning out a vague plot line in which the US government captures the Doctor and he ends up being a hero to the Tea Party so... I mean, who knows what's going on in my mind at any given moment.)


evilhippo: hippo (Default)

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